Tradução Intersemiótica, Artefato Cognitivo e Criatividade:
da perspectiva visual ao balé clássico
DOI:
https://doi.org/10.9771/rr.v1i38.45792Palabras clave:
tradução intersemiótica, artefato cognitivo, C.S.Peirce, criatividadeResumen
La traducción intersemiótica (TI) puede describirse como un artefacto cognitivo diseñado como una herramienta predictiva, generativa y metasemiótica. Los artefactos cognitivos se presentan en una gran variedad de formas y se manipulan de muchas formas, en diferentes dominios. Como técnica proyectiva de inteligencia aumentada, la TI funciona como una herramienta predictiva, anticipando nuevos patrones sorprendentes de eventos y procesos semióticos, manteniendo bajo control la aparición de nuevos patrones. Al mismo tiempo, la TI funciona como un modelo generativo, proporcionando información nueva, inesperada y sorprendente al sistema de destino y proporcionando resultados concurrentes que permiten que el sistema genere instancias candidatas. Como herramienta metasemiótica, la TI crea un proceso semiótico de meta-nivel (acción de un signo que representa la acción de otro signo). También crea un “laboratorio experimental” para realizar experimentos semióticos. La TI somete a los sistemas semióticos a condiciones inusuales, en un escenario propicio para el surgimiento de comportamientos semióticos nuevos y sorprendentes. Exploramos estas ideas a través de un conocido ejemplo de tecnología de TI para la danza, desde la perspectiva lineal visual hasta el ballet clásico.
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