Tradução Intersemiótica, Artefato Cognitivo e Criatividade:
da perspectiva visual ao balé clássico
DOI:
https://doi.org/10.9771/rr.v1i38.45792Keywords:
tradução intersemiótica, artefato cognitivo, C.S.Peirce, criatividadeAbstract
Abstract: Intersemiotic translation (IT) can be described as a cognitive artifact designed to function as a predictive, generative and metasemiotic tool. Cognitive artifacts have a huge variety of forms and are manipulated in many different ways, and in different domains. As a projective technique of augmented intelligence, IT functions as a predictive tool, anticipating new and surprising patterns of events and semiotic processes, keeping under control the emergence of new patterns. At the same time, it (IT) functions as a generative model, providing new, unexpected and surprising information to the target system and providing competing results that allow the system to generate candidate instances. As a metasemiotic tool, IT creates a semiotic process at the meta level (action of a sign that represents the action of another sign). It also creates an “experimental laboratory” to carry out semiotic experiments. TI subjects semiotic systems to very unusual conditions and provides a scenario for observing the emergence of new and surprising semiotic behaviors as a result. We explored these ideas by taking advantage of an example of IT to dance -- from visual linear perspective to Classical Ballet.
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