ALÉM DOS SIGNIFICADOS DE MIRANDA: DES/SILENCIAR O 'TERRENO DEMONÍACO' DAS MULHERES DE CALIBAN
Keywords:
Decoloniality – Feminism – Womanism – Caribbean black intelligentsia - ShakespeareAbstract
This essay focuses its discussion on the place of decolonial feminism in the field of feminist studies by taking as its point of departure the absence of a woman for Caliban not only in Shakespeare’s playtext The Tempest, but also in the critical corpus written about the play. It analyses this absence as an ontological emptiness within feminism and defends that to bring this black woman to the center of the discussion displaces the decolonial feminist discourse in direction to a epistemological break with a eurocentric feminism and its regulating signifying systems. In doing so, decolonial feminism does not open a new field of colonial studies but establishes a paradigm shift in feminist studies, going beyond secularizing concepts of truth and gender and towards a ‘demoniac model’ through which caribbean women’s lives are enabled to express their auto-poiesis.
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