The Scenic Disobey as a strategy of art cuíer in Lisbon

Abstract

In Thoreau (2016), Debord (2017), and in Bey (2018) I find the inspiration to produce the idea about cuíer urban art and attribute a name that is a Scenic Disobey in my master’s degree. The artistic installation is a strategy in the public space to confront the same time as social pedagogy. The LGBTQIAPN+ consistency is a motivation to choose the disruptive character on this works for distorts the mainstream. Lisbon as an interventive place, the origin of the invasion of the Brazilian territory in15th century, can be a time to treat the decolonial art. As an artistic expression (Mesquita, 2008) as an operative mode translate what the Tamara Alves and Pixa Bixa pair, in comparison to the other works installed in other locations and for the other artists as the Brazilian Rafael Suriani and the Swedish Carolina Falkholt exemplifying the diversity of this artistic production to wondering the differences between access and radicality on the productions. Haraway (1991), shows the positionality concept and will guide this writing to the idea over the cuier urban art is criminal, because is a vandal, daring, but (re)signify the representativity expression and resistance present on the materials and the insert discourses on the city.