GILBERT SIMONDON AND THE COMMUNICATIONAL INTERVAL

Authors

  • Demétrio Rocha Pereira Universidade Federal do Rio Grande do Sul
  • Alexandre Rocha da Silva Universidade Federal do Rio Grande do Sul

DOI:

https://doi.org/10.9771/contemporanea.v20i1.43824

Keywords:

Communication, Simondon, Body, Signification

Abstract

This article investigates how Gilbert Simondon articulates bodily forces to a incorporeal or expressive superfi ciality recut of communication. The text detects explicit mentions of communication in Simondon’s main doctorate thesis, presented in 1958, to distinguish implicit operations which, far from securing the transmission of commands, zigzag between incompatible orders to produce and maintain blocks full of tension. A semiotic (un)framing will gradually come to light, while the thesis allows us to falsify dualist descriptions of individuation; affi rm the disparity of perspectives from a preindividual problematic zone; surprise a communication which condenses affects within crystalline solutions; and contemplate affective disparity as a trigger for an expressive surplus, extracted from bodily mixtures.

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Author Biographies

Demétrio Rocha Pereira, Universidade Federal do Rio Grande do Sul

Doutorando no Programa de Pós-Graduação em Comunicação da Universidade Federal do Rio Grande do Sul (UFRGS).

Alexandre Rocha da Silva, Universidade Federal do Rio Grande do Sul

Professor do Programa de Pós-Graduação em Comunicação da Universidade Federal do Rio Grande do Sul (UFRGS).

References

DELEUZE, Gilles. Bergsonismo. São Paulo: Editora 34, 1999.

SIMONDON, Gilbert. A individuação à luz das noções de forma e de informação. São Paulo: Editora 34, 2020.

SIMONDON, Gilbert. Du mode d’existence des objets techniques. Paris: Aubier, 1989.

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Published

2022-11-11

How to Cite

Pereira, D. R. ., & Silva, A. R. da . (2022). GILBERT SIMONDON AND THE COMMUNICATIONAL INTERVAL. Contemporanea, 20(1), 35–50. https://doi.org/10.9771/contemporanea.v20i1.43824

Issue

Vol. 20 No. 1 (2022)

Section

Artigos

License

Copyright (c) 2022 Demétrio Rocha Pereira, Alexandre Rocha da Silva

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