Sacred Pombagira Feminine Displays in the Morphological Crossroads of Maria Padilha

Authors

DOI:

https://doi.org/10.9771/aa.v0i66.47028

Keywords:

Pombagira, Feminine sacred display, Macumbas cariocas

Abstract

This study addresses some cultural paths in the formation of the Ibero-Afro-Indigenous mediunic religiosity in Brazil, based on the focal study of the metamorphosis of the historical Maria de Padilla into Maria Padilha, the oldest pombagira configuration in the repertory of the umbandas of Rio de Janeiro, known since the beginning of the 20th century. Although our point of observation departs itself from configuring Maria Padilha as pombagira – in comparison with the cultural repertory and social origins of colonial calundus and witchcraft – we sought to establish a transcultural comparative contextualization plan in our studies, exploring the hypothesis that pombagira updates, in urban cultural contexts of manifestations of mediunic religiosity, some characters, forms, and functions that refer to the morphologies of sacred feminine displays catalogued in Marija Giumbutas and Miriam Dexter’s feminist comparative archeological studies on the Indo-European Paleolithic, Neolithic, and Ancient Ages.

Downloads

Download data is not yet available.

Author Biography

Alexander Martins Vianna, Rio de Janeiro Federal Rural University

Doutorado em História Social pela Universidade Federal do Rio de Janeiro, Brasil (2008). Professor Associado I da Universidade Federal Rural do Rio de Janeiro , Brasil.

Published

2022-12-31

How to Cite

MARTINS VIANNA, A. Sacred Pombagira Feminine Displays in the Morphological Crossroads of Maria Padilha. Afro-Ásia, Salvador, n. 66, p. 391–450, 2022. DOI: 10.9771/aa.v0i66.47028. Disponível em: https://periodicos.ufba.br/index.php/afroasia/article/view/47028. Acesso em: 18 jul. 2024.

Issue

Section

Articles