RELATO SOBRE FEMINISMO NEGRO NO RIO GRANDE DO SUL A PARTIR DA IMERSÃO ARTÍSTICA NO PROJETO NEGRESSENCIA

Abstract

This article is an experience report in the condition of interpreter-creator of the show [title of the show removed for evaluation] created by black artists in Rio Grande do Sul as part of the Project [name removed for evaluation], in 2016. The experience in the artistic immersion during the creative process and the dialogue with black authors and intellectuals anchor this writing, allowing a reflection on the notions of black women that operate in gaucho society from memories written on the body. The historical rescue of the black female presence in the state and the reafricanization of the image of Yemanjà took place through an active interaction based on the memory of our ancestors where we established a relationship of continuity with the past, working the present to project a promising future for the community. black gaucho. This process consequently promoted fertile ground for the (re)signification of the social and artistic experience of black women based on memories, identities and identity processes, in relationships of belonging, empowerment and reception.