Bodies in dissent between the political, the private and the technological

Autores

DOI:

https://doi.org/10.9771/rr.v1i39.46758

Palavras-chave:

Live art, performance art, embodiment, identity, technology.

Resumo

The article resumes the author’s lecture Bodies in Dissent. Regarding Live art and performance art, issues such as embodiment and identity are tackled, enriched by excerpts of a recent conversation the author had with Australian performance artist Stelarc about how technology is affecting the human body as a cognitive tool, leading us to reconsider the meaning of human existence.

Downloads

Não há dados estatísticos.

Biografia do Autor

Andrea Pagnes, VestAndPageVenice International Performance Art Week

Venetian born artist Andrea Pagnes and German artist Verena Stenke have been working together since 2006 as VestAndPage, creating live performances cycles, performance-based films, visuals, theoretical and creative writings, and temporary artistic community projects internationally. Their art practice and curatorial practice is contextual, conceived psycho-geographically in response to social situations, natural surroundings, archeological sites, and historical architectures, unconventional environments such as mines, caves and urban ruins. They explore themes such as pain sublimation, suffering, fragility, risk-taking, trust in change, union and endurance with an original bodily approach to performance to dissect the private, social and political spheres and merge from reality poetic elements as a rebellion against the exercise of power and discrimination among human beings. VestAndPage are the curators and conceivers of the live art exhibition project “Venice International Performance Art Week” since its inception (2011). Their last performance based movie “Plantain” won the best film award at the Berlin Independent Film Festival (2018).

Referências

RANCIÈRE, Jacques. Dissensus: On Politics and Aesthetics. London and New York: Continuum, 2015.

ANZALDÚA, Gloria. Borderlands/La Frontera: The New Mestiza. San Francisco: Aunt Lute Books, 1987.

HEIDEGGER, Martin. Being and Time. New York: Harper and Row, 1962.

HEIDEGGER, Martin. The Essence of Reasons. Evansville: Northwestern University Press, 1969.

MERLEAU-PONTY, Maurice. Phenomenology of Perception. London: Routledge and Kegan Paul, 1962.

MERLEAU-PONTY, Maurice. The Structure of Behavior. Boston: Beacon Press, 1963.

JAMES, William. Pragmatism and the Meaning of Truth. Cambridge (MA): Harvard University Press, 1975.

JAMES, William. Writings 1902-1910. Ed. By Bruce Kurlkick. New York: Library of America, 1987.

CAMPBELL, James. “John Dewey’s Debt to William James.” In: FESMIRE, Steven (ed.). The Oxford Handbook of Dewey. New York: Oxford University Press, 2019, pp. 615-628.

DEWEY, John. Experience and Nature. New York: Dover Publication, 1958.

GALLAGHER, Shaun. How the Body Shapes the Mind. Oxford (UK): Oxford University Press, 2005.

VARELA, Francisco J., THOMPSON, Evan, & ROSCH, Eleanor. The Embodied Mind: Cognitive Science and Human Experience. Cambridge (MA): MIT Press, 1991.

SHAPIRO, Lawrence. Embodied Cognition. New York: Routledge Press, 2011.

RIETVELD, Erik. “Situated normativity: The normative aspect of embodied cognition in unreflective action.” In: Mind, 117 (468), 973–1001, 2008,

DOI: https://doi.org/10.1093/mind/fzn050 Available at: https://academic.oup.com

/mind/article-abstract/117/468/973/1109784 Accessed on: September 29, 2021.

CHEMERO, Anthony. Radical Embodied Cognitive Science. Cambridge (MA) and London: The MIT Press, 2009.

WILSON, Andrew D. and GOLONKA, Sabrina. “Embodied cognition is not what you think it is.” In: Frontiers in Psychology, 4: 58, pp. 1-13, February 12, 2013.

DOI: https://doi.org/10.3389/fpsyg.2013.00058.

Available at:

HTTPS:// www.frontiersin.org/articles/10.3389/fpsyg.2013.00058/full#B69 Accessed on: September 27, 2021.

WEIL, Simone. Waiting on God. Abingdon and New York: Routledge, 2010.

RAINBOW, Paul (ed.), The Foucault Reader. New York: Pantheon Books, 1984.

HALL, Stuart. “Cultural Identity and Diaspora”. In: RUTHERFORD, Jonathan. Identity: Community, Culture, Difference. London: Lawrence & Wishart, 1990, pp. 222-237.

BAUMAN, Zygmunt. Identity. Cambridge UK: Polity Press, 2004.

WARNER, Michael. Fear Of A Queer Planet: Queer Politics and Social Theory. Minneapolis: University of Minnesota Press, 1993.

QUINN, Susan. Furious Improvisation. New York: Walker and Company, 2008.

GLISSANT, Édouard. Poetics of Relation. Ann Arbor: University of Michigan Press, 2010.

GUPTA, Deepak. “Democracy And Dissent”. Speech at the inaugural lecture of the Supreme Court Bar Association of India. February 24, 2020. Available in: https://thewire.in/law/right-to-dissent-constitution-justice-deepak-gupta. Accessed on: October 7, 2021.

WITTGENSTEIN, Ludwig. Philosophical Investigation, 3ed ed. London: Pearson, 1973.

NEIWILLER, Antonio. “Per un teatro clandestino. Dedicato a T. Kantor,” Maggio 1993. In: GRIECO, Antonio. L’altro sguardo di Neiwiller: Il teatro di frontiera di un protagonista dell’avanguardia italiana. Napoli: L’ancora del Mediterraneo, 2002.

VESTANDPAGE. Reinventing the Body - Andrea Pagnes in Conversation with Stelarc.” Momentum V. Video series. 2021. Forthcoming in November 2021. https://www.vest-and-page.de/momentum-conversations

Downloads

Publicado

2023-09-18

Como Citar

Pagnes, A. (2023). Bodies in dissent between the political, the private and the technological. Repertório, 1(39). https://doi.org/10.9771/rr.v1i39.46758

Edição

Seção

REPERTÓRIO LIVRE