PRÁTICAS DE PERFORMATIVAS E O CONFLITO DA MEMÓRIA NA COLÔMBIA

construindo um arquivo digital “decolonial” e justiça epistemológica

Authors

  • Melissa Blanco Borelli Northwestern University
  • Olga Lucía Sorzano Agencia de Desarrollo Rural de Bogotá
  • Cristina Fernandes Rosa Universidade de Roehampton

DOI:

https://doi.org/10.9771/dana.v8i0.58160

Abstract

This article examines Corpografías, a digital archive that documents the artistic practices of Afro and Indigenous Colombian communities and their role in memory, peace, and reconciliation in the Colombian Pacific. It combines dance, theatre, and performance studies with social sciences and digital humanities, centering Afro and Indigenous communities in the archive’s development. The project challenges the marginalization of these communities by shedding light on their agency and dignity and addressing the interconnectedness of conflict, justice, peace, and reconciliation in Colombia. Corpografías emphasizes the significance of art and culture in conflict contexts, contributing to discussions on cognitive justice. It also provides safe spaces for community gathering and solidarity, fostering unity and collective expression. The project explores the processes that contribute to art and culture while addressing the communities’ structural claims for territory, identity, resources, and traditions. Ultimately, Corpografías amplifies afro and indigenous voices and knowledge, challenging dominant narratives and supporting the resilience and artistic production of these communities.

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Author Biographies

Melissa Blanco Borelli, Northwestern University

Pesquisadora em Estudos Críticos de Dança, Coreógrafa e Crítica cultural. Atualmente, ela é Professora
Associada de Teatro e Diretora do Programa de Dança da Northwestern University, em Chicago (EUA).

Olga Lucía Sorzano, Agencia de Desarrollo Rural de Bogotá

Pesquisadora acadêmica independente. Atualmente, atua como Conselheira Sênior em economias culturais em áreas rurais, na Agencia de Desarrollo Rural de Bogotá (Colômbia).

Cristina Fernandes Rosa, Universidade de Roehampton

Universidade de Roehampton, London (Reino Unido); professora Visitante, Escola de Dança da Universidade Federal da Bahia (UFBA). 

Published

2023-12-14

How to Cite

Borelli, M. B. ., Sorzano, O. L. ., & Rosa, C. F. . (2023). PRÁTICAS DE PERFORMATIVAS E O CONFLITO DA MEMÓRIA NA COLÔMBIA: construindo um arquivo digital “decolonial” e justiça epistemológica. DANÇA: Revista Do Programa De Pós-Graduação Em Dança, 8(11), 106–132. https://doi.org/10.9771/dana.v8i0.58160