DANÇAS DA DIÁSPORA AFRICANA-BRASILEIRA

Que política de arte e cultura nos cabe?

Abstract

This article proposes a debate on the diaspora dances of Africana-brasileira and its relation to art and culture policies, as it questions how these is contemplating said segment today. The questioning leads to the presumption that little or almost never the policies promote artistic-cultural, professional, social action, entertainment and leisure to such a dance specificity, which exists in a way apart from their rights and equality relations in the vast field of knowledge and knowledge of the Arts. Even with the absence of policies that contemplate them, their cultural agents, majority constituted by black and brown people, do not settle before the absences and precariousness, and create modes of resistance, (re) stocks and affirmation. In order to substantiate our ideas, we articulate methodologies that originate from aphroferified epistemologies, such as: Simas and Rufino (2019), which offer multiple and Intercrossed in the ballast of an aprodiast and decolonial thought, as define the coast, Torres & Grosfoguel (2020).