Transfeminism as a possibility of inserting the “the prey’s predator standpoint” in the art field

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DOI:

https://doi.org/10.9771/peri.v1i23.62241

Abstract

We present a research previously named as “Cuidado com a visão de rapina das gazela” - An inventory of the artistic production of black trans people in Brazilian contemporary art” and, concomitantly, we aim to begin to elaborate possibilities for the use of these data in the art field. We aim to begin a reflection on the transfeminist and queer projects in the art field based on interviews with gender dissident and black visual artists, aligned with the deepening and analysis of their works.

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Author Biographies

Lau Graef Dutra Camargo, State University of Rio Grande do Sul

Graduating in Visual Arts from the State University of Rio Grande do Sul.

Igor Moraes Simões, State University of Rio Grande do Sul

Adjunct professor of History, Theory and Criticism of Art in the Visual Arts course at the State University of Rio Grande do Sul. PhD in Visual Arts, with an emphasis on Art History, Theory and Criticism from the Federal University of Rio Grande do Sul.

Marine Bataglin , Federal University of Rio Grande do Sul

Master in Social Anthropology from the Federal University of Rio Grande do Sul.

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Published

2025-12-11

How to Cite

Camargo, L. G. D., Moraes Simões, I., & Bataglin , M. . (2025). Transfeminism as a possibility of inserting the “the prey’s predator standpoint” in the art field. Revista Periódicus, 1(23), 191–205. https://doi.org/10.9771/peri.v1i23.62241

Issue

Vol. 1 No. 23 (2025): Self-narratives in spaces of (re)existence: arts, bodies, languages and "sudakas" dissident practices

Section

Dossier 23 - Self-narratives in spaces of (re)existence

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Copyright (c) 2025 Lau Graef Dutra Camargo, Igor Moraes Simões, Marine Bataglin

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