slam of minas
black subjectivities in the poetry
DOI:
https://doi.org/10.9771/peri.v1i23.61557Abstract
This text is an excerpt from my master's thesis, in which I, an Afro-Amazonian black woman, study and write about the poetic production of black women in the slam scene. To this end, the research uses the anthology They want to silence us: poems to be read aloud, organized by Mel Duarte. The excerpt of three poems were considered to compose the article, all produced by black women, whose focus is the poetic making of poets in their contexts of experience until the consideration of the specific differences in the production of black women and the rescue of orality, black ancestry and the need to rethink the black-female body as a form of reexistence in contemporary poetry.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Patrícia Pereira da Silva
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal agree to the following terms:
Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under a Creative Commons Attribution Noncommercial License that allows the work to be shared with acknowledgment of authorship and initial publication in this journal, but prohibits commercial use.
Authors are authorized to enter into separate additional contracts for non-exclusive distribution of the version of the work published in this journal (e.g., publishing in an institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
Authors are permitted and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their personal website) at any point before or during the editorial process, as this can generate productive changes and increase the impact and citation of the published work (see The Effect of Open Access).
