“The hand that cuds is the same that stones” - discursive analysis on maternal love, religion and sexuality
DOI:
https://doi.org/10.9771/peri.v1i14.37096Abstract
Based on the French Line Discourse Analysis, this article discusses violence against the LGBTQI + population, relating it to religious discourse. For this, it brings, as a corpus of analysis, the speech of the Gospel Singer Eyshila, posted on her Instagram to position herself on the sexuality of the son who, before being evangelical like his parents, declared himself homosexual and Drag. Based on the observation of the discourse, the analysis used mainly discursive concepts related to ideology, discursive formations and the effect of meaning, with the purpose of interpreting its functioning from a reading gesture. The objective was also to observe how Eyshila discursivizes homosexuality by positioning herself as a mother and as an evangelical / religious woman, in order to observe whether, in these places, she breaks or perpetuates the discourse of her discursive formation; and, as a consequence of that, the objective was also to verify if his speech proves to be significant in the fight against prejudice and violence. Pêcheux (2014 and 2015), Orlandi (2015), Mussalim (2001) and Barbosa and Silva (2016) were theoretical references for this analysis. The study showed that an apparent discourse of acceptance of homosexuality can have sense effects laden with prejudice and incite violence against the LGBTQI + population. The research refers to a gesture of interpretation, which seeks to overcome the effect of transparency in the discourse, and which is not limited to this analysis
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 LEILA SILVANA PONTES
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Autores que publicam nesta revista concordam com os seguintes termos:
Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob Licença Creative Commons Attribution Noncommercial que permite o compartilhamento do trabalho com reconhecimento da autoria e publicação inicial nesta revista, sendo vedado o uso com fins comerciais.
Autores têm autorização para assumir contratos adicionais separadamente, para distribuição não-exclusiva da versão do trabalho publicada nesta revista (ex.: publicar em repositório institucional ou como capítulo de livro), com reconhecimento de autoria e publicação inicial nesta revista.
Autores têm permissão e são estimulados a publicar e distribuir seu trabalho online (ex.: em repositórios institucionais ou na sua página pessoal) a qualquer ponto antes ou durante o processo editorial, já que isso pode gerar alterações produtivas, bem como aumentar o impacto e a citação do trabalho publicado (Veja O Efeito do Acesso Livre).