A look at the intersections of scenic music, voice and multiple percussion based on relevant works from the percussive repertoire: “Toucher” (Vinko Globokar), “Mitos Brasileiros” (Ney Rosauro) and “A dois” (Tim Rescala)

Abstract

This article covers a brief introduction to the innovations that the 20th century has reserved for the percussive scene. Among these innovations are: the advent of multiple percussion, scenic music for percussion and the use of voice, among others. These innovations were influenced by artistic vanguards, experiences that redefined the performance and musical and scenic possibilities of the percussionist musician. These aspects are discussed here from a brief example of the works Toucher (1973) by Vinko Globokar, Mitos Brasileiros (1988) by Ney Rosauro and A Dois (1992) by Tim Rescala. between multiple percussion, the use of voice and the scenic element Our goal is to encourage the percussionist performer to expand the repertoire of performative choices in the process of preparing his performance.