Music Iconography: What is it all about? Some remarks and considerations with a selected Bibliography
DOI:
https://doi.org/10.9771/ictus.v9i2.34333Keywords:
Musical Iconography, Musicology, Beaux Arts, RIdIMAbstract
A glance at the output of music iconography research of the last twenty years reveals an obvious topical plurality that can easily be misunderstood as a kind of eclecticism. That is why music iconography research still appears – metaphorically speaking – more like a construction site than a garden in the style of André Le Nôtre. The topical and methodological plurality of music iconography is, however, the result of the development of music iconography as a research field and its specific dependence on an interdisciplinary, transdisciplinary and/or multidisciplinary discourse to generate useful scholarly knowledge. [Originally presented as a lecture during the 18th edition of the ANPPOM annual congress, in Salvador (Bahia - Brazil) - September 2008]Downloads
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Published
2009-02-07
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Guest Authors